While my whole high school was obsessed with dressing and looking like dumpster divers for ironic "I just don't care" conformity, stinking, not shaving lady legs, and "hacking" (which then/there meant standing in a circle and kicking a fucking beanbag), I was the one rural white boy waiting in front of the town's only record store for the store to open so I could be the first to pick up the Wu-Tang double album that was set to release that day. Got the whole football team hooked on that shit, and we used to blast ODB's "Dog Shit" on the bus on the way to games as the coaches awkwardly pretended to not hear.
With no real influences to guide me in that direction, I gravitated toward hip hop from an early age and have never liked the sound of distortiony guitars and dudes "singing"/screaming/whining 12 word songs. Always preferred the east coast sound to the west coast sound, but there's good shit all around.
I was already hip hop obsessed when the 36 chambers was released, but nothing blew me away like that before or since. The other debuts that left the biggest mark were pretty much every single Wu-Tang solo album (they're all soooooo fucking good), Busta Rhymes' The Coming, Outkast's Southernplayalisticadillacmuzik had heavy rotation for a while and was a totally different sound to me at the time (although I think ATLiens was better). Somewhat later, I was floored by the originality and quality of Quasimoto (Madlib)'s The Unseen.